Her art remained her primary focus throughout her childhood and adolescence at the Laurel School for Girls and eventually at Smith College, where she graduated with an art degree, While Babbitt had taken fashion illustration classes at the Cleveland School of Art prior to her enrollment at Smith, she preferred the less constraining, artistic, and competitive environment of college. Though Babbitt demonstrated stronger artistic than literary inclinations as a child, nonetheless, like many children's authors, she and her sister were read to nightly as young children by their mother. Her family had auspicious ancestors, including renowned explorers Isaac Zane and Zebulon Pike, for whom Pike's Peak in Colorado was named. BIOGRAPHICAL INFORMATIONīabbitt was born on July 28, 1932, in Dayton, Ohio, to Ralph Moore, a business administrator and labor relations manager, and his wife Genevieve. A 1995 Phoenix Award Honor Book, the book has never been out of print and has been the subject of several screen adaptations, most recently by Walt Disney Films in 2001. Despite an easy narrative style and relative brevity, Tuck Everlasting has maintained a broader cultural relevancy for its exploration of deeper issues like the relative values of life, death, loyalty, and love. In many respects a throwback to turn-of-the-century parable stories, Babbitt's best known work combines aspects from the fairy tale, folk tale, and pastoral traditions in its telling of ten-year-old Winnie Foster's discovery and eventual rescue of the fantastical Tuck clan located in the deep woods near her home. INTRODUCTIONĪ story of the implications of eternal life, Babbitt's Tuck Everlasting (1975) is a young adult fantasy that explores the intersections of mortality and morality. For further information on her life and career, see CLR, Volumes 2 and 53. The following entry presents commentary on Babbitt's juvenile novel Tuck Everlasting (1975) through 2001. (Born Natalie Zane Moore) American illustrator and author of juvenile novels, juvenile fiction, and picture books. INTRODUCTION PRINCIPAL WORKS AUTHOR COMMENTARY GENERAL COMMENTARY FURTHER READING
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